Using the language of both narrative and documentary time-based media, I am constantly refining my multifaceted research-based practice—with a particular focus on marginalized and diasporic communities in New York City. I engage with works that reconfigure my mutual-aid cooking practice within a fine arts context. cooking-as-form brings about conversations surrounding food, community, and radical support. As such, the insular space of a “studio practice” can be opened to new publics and discursive spheres.
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